Elizabeth Keller Artist Nyc

USA Network Orders Season Four of Acclaimed Hit Series 'White Collar'

Has superb storytelling at its core, and break out stars Matt Bomer and Tim DeKay lead a cast who continue to deliver phenomenal performances,” said Wachtel and McCumber. “We’re thrilled to offer our viewers another season that promises some of the best writing in television, unexpected twists and generous helpings of America’s favorite ‘bromance’ that makes achieved its best season ever this summer in P18-49 (2.5 million) and P25-54 (2.6 million) and averaged 5.7 million total viewers, and series stars Matt Bomer and Tim DeKay’s careers are both on the rise as well.  Bomer’s burgeoning film career features the October 28 release of “In Time,” in which he stars opposite Justin Timberlake and Amanda Seyfried.  He recently signed on to star in the Steven Soderbergh-directed feature “Magic ,” opposite Matthew McConaughey and Joe Manganiello. DeKay will make his television directorial debut in the second half of the series third season for a baseball themed episode titled “Stealing Home.”  DeKay directed and starred in the episode, guest starring Hal Oszan, which was the first television series to shoot in the new Yankee Stadium in New York.

focuses on the unlikely partnership between charming con artist Neal Caffrey (Bomer) and straightforward FBI agent Peter Burke (DeKay).  Caffrey provides his expertise to help Burke and agents Clinton Jones (Atkins) and Diana Berrigan (Thomason) catch other elusive criminals in exchange for his freedom. Although Caffrey’s cunning ways help nab other criminals, in the series third season, which premiered on Tuesday, June 7 at 9/8c, he uses those talents to keep everyone guessing as to which side he’s really on.  When love interest and insurance investigator Sara Ellis (Hilarie Burton) finds out Neal and Mozzie (Garson) have the stolen treasure, she walks away and Neal is forced to figure out if his relationships he’s made are more important than the life of the con. The mid-season finale, which premiered on Tuesday, August 9 at 9/8c, ended on a cliffhanger with the kidnapping of Peter’s wife Elizabeth (Thiessen) by Matthew Keller (guest star Ross McCall).

“Grouped Show” at Tanya Leighton (Contemporary Art Daily)

As many of Berlin’s galleries squeeze in one last innocuous exhibition before breaking for the summer, Tanya Leighton Gallery proudly presents a show that re-strategies the principle elements of a gallery ‘group show’. GROUPED SHOW aims to re-examine the ‘exhibition model’ by inviting participating artists to ‘curate’ their works into the exhibition; placing them in the driver’s seat in disseminating a curator’s ideas. Encouraged to treat their work less as artworks and more as objects used to decorate a space, the artists have worked together to place their work atop of, directly aside, or obtrusively in front of one another. Negating the polite, respectful nature that typically dictates group show exhibition design, these ‘object hybrids’ confront how the status quo methodology for curating group exhibitions (via fixed positions in physical display) is confronted by near-instantaneous peer-to-peer sharing of image, text, media and knowledge content between artists.

- (born 1983 in Montreal, Canada) new series of high-end custom-made biomechatronic cameras are made from plastic children’s toys and constantly feed live video signal into networks of surveillance and control. He graduated from the Staatlichen Hochschule für Bildende Künste (Städelschule) in Frankfurt am Main and lives and works in Berlin. Recent solo exhibitions include Prepare to Live, Johan Berggren Gallery, Malmö (2011); Fashions in the Middle Ages, Neue Alte Brücke, Frankfurt am Main (2010). Recent group exhibitions include based in Berlin, Kunst-Werke, Berlin (2011); Venus in a Shell, Fluxia Gallery, Milan (2011); Join the Black Mamba, Karma International, Zurich (2011); Tarot, Focal Point Gallery, Southend-on-Sea (2011); The Smart Frrridge, Kunstverein Medienturm, Graz (2011).

(born 1981 in Novi Sad, former Yugoslavia) lives and works in Berlin. Her work focuses on profound social and media-technological transformations, and their interdependence. Some of her projects give form to the relationships of meaning imposed by archival models. Others suggest alternate models that draw on her observations of shared memory and feelings of community. Domanovic uses material related to her autobiography — the television, music, and monumental art of Yugoslavia — as well as materials that claim transcendence of the personal and national, such as Getty Images’ database of stock photography and (on the blog Vvork, which she co-edits) international contemporary art production. In the difference between these categories of sources, one finds the concern central to Domanovic`s work: individual subjectivity and how it is subsumed, erased, and distorted by attempts to attain universality. Recent exhibitions include based in Berlin, n.b.k., Berlin (2011); Imagine being here now, The 6th Momentum Biennial, Moss, Norway (2011); Shanzai Turbo, Western Front, Vancouver (2010); Free, New Museum, New York (2010); ‘A Painting Show’ (2011), Autocenter, Berlin; Turbo Props, The Institute of Social Hypocrisy, Paris (2010) and Surfing Club (2010), Plug.in, Basel. She is currently in residency at Künstlerhaus Bethanien in Berlin and is a co-founder of the VVORK platform (www.vvork.com).

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