Takács Quartet delivers sterling performances at Ravinia
With the Chicago Symphony Orchestra.Having caught the world premiere in San Francisco last fall, I took a pass and opted instead for the less hyped but more substantive second part of the double bill, with the return of the Takács Quartet Sunday evening at the Martin Theatre.
The Takács is justly celebrated for its Beethoven performances and their rendering of the composer’s penultimate work in the genre, the Quartet in C-sharp minor, showed that their bona fides remain sterling in this repertoire.
This was my first encounter with the group since violist Geraldine Walther replaced Roger Tapping in 2005. Some fleeting moments of wayward intonation apart, Walther appears to have fit in with her colleagues smoothly and is now a fully integral member of the group.
Beethoven’s Op. 131 is cast on a large canvas, the seven movements — played without pause — covering a bracing variety of expression and making intense demands on all four musicians.
I’ve heard more incisive performances of this quartet from the ensemble, but, by any standard, this was supremely idiomatic and sympathetic Beethoven playing. First violinist Edward Dusinberre’s style reflects the ensemble on the whole, rugged and dynamic with an astringent tartness and sweet-toned on top.
The spare, withdrawn opening fugue had the requisite otherworldly quality, contrasting pointedly with the ensuing lively accents of the brief Allegro molto vivace. The large-scale central Andante could have used tauter concentration at times but the Takács displayed its storied ability to seamlessly encompass Beethoven’s violent contrasts with strikingly nuanced dynamic detailing. The Presto went like the wind, as the players batted fragments back and forth. The second Adagio had apt tenderness and the concluding Allegro wedded whirlwind energy with gravitas.
Superb as the Beethoven was, the finest performance of the evening came with Mendelssohn’s Quartet No. 2 in A minor, Op. 13.
C Sharp Minor Scale - News
Tokyo String Quartet ---- La Jolla Music Society's annual SummerFest classical music festival presents Cynthia Lee Wong's Piano Quartet, Haydn's String Quartet in G major, Beethoven's String Quartet in C-Sharp major and Shostakovich's Two Pieces for
The Takács is justly celebrated for its Beethoven performances and their rendering of the composer's penultimate work in the genre, the Quartet in C-sharp minor, showed that their bona fides remain sterling in this repertoire.
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C-sharp minor - Wikipedia, the free encyclopedia
C-sharp minor or C minor is a minor scale based on C, with the pitches C, D, E, ... The table indicates the number of sharps or flats in each scale. ...
C Sharp Minor Melodic Scale - Piano Lessons - Video
http://www.PianoLessons.com . Sign up for the secret-lessons at: http://www.PianoLessons.com . Learn how to play the C sharp minor melodic scale o. Watch Video about ...
D-sharp minor - Wikipedia, the free encyclopedia
For the harmonic minor, the C is raised to C. Its key signature has six sharps (see below: Scales and keys). E-flat minor is its direct enharmonic equivalent. ...
Learn How To Play The C Sharp Minor Melodic Piano Scale ...
Learn how to play the C sharp minor melodic scale on the piano in this piano lesson. Learning how to play all the scales on the piano is a good way ...
C Sharp Minor Guitar Scale
C Sharp Minor guitar scale charts. ... In this music theory lesson we will look at the major, minor, diminished and augmented triads using images and audio. Thu 8th May ' ...